Tuesday, November 20, 2012

Breaking Dawn Part 2 Review



We've all heard the literary critics over the last several years harp about the infamous Twilight Saga book series by author Stephanie Meyer. "They're manipulative!" "They're exploitive!" "They twist the minds of our generation!" Well, dear friends. If you thought that the author was a megalomaniac, you clearly haven't met the writers for the film adaptations. Oh good heavens, have we reached the pinnacle of this soul-corrupting mountain!
Now that our "protagonist" Bella Swan (Kristen Stewart) has been fully inducted into her husband Edward Cullen's (Robert Pattinson) blood drinking cult, she discovers that membership was a two for one special. Yes, their offspring Renesmee (Mackenzie Foy) is a human/vampire hybrid, which the evil vampires called the Volturi (yes, I'm sure you're also trying to discern just who truly are the evil vampires in this film) declare an abomination that must be put to death. Thus begins the vampire convention, where the Volturi and the Cullen family mass together allies on both sides to prepare for war. Normally, this is where you should feel some dramatic tension for our heroes. Except that in this film, any attempt to make a human connection with the audience is severed to the point where Bella wants to stay as far away from her human friends and family as possible once she's joined the popular crowd in the metaphorical schoolyard of mankind. It's one thing for Twilight's characters to be melodramatic, which they have done a spectacularly hilarious job in the series thus far, and then there's begging the question "What idiots would make decisions like these people? Can they not think one thing through logically instead of just leaping into their passions? Can they now, facing war of all things, show any responsibility or remorse for their actions?" Of course not, Twilight is above such expectations.
Once again this movie just can't resist awkwardly shoving Bella and Edward into the spotlight when for the first time, the main events don't actually involve them; they circle around their daughter! A character of supposed importance who can't be in the movie for more than thirty minutes.
 Even when this movie goes into creative liberties with the source material, it just ends up being one giant kick to the gonads by the end. You will fall into this trap so easily as many a teenage girl already has, only to feel almost literal whiplash by the time the credits roll. Any investment in this parade of filler characters and is utterly pointless, as you will painfully discover by the story's end. This is Twilight's grand finale, and it went the extra mile just to screw with your heart one last time. 



Tuesday, November 13, 2012

The Terminator Review



What if you were to live with the knowledge that in a single instant, your future and the world around you will be completely twisted into a nightmare? Your life is no longer about paying off a mortgage, getting the car fixed or graduating college, it all boils down to survival. Enduring a war against a force that has no morality or mercy; machines.
In the year 1984, a young woman named Sarah Connor (Linda Hamilton) reveals just such a crash-course to the future of mankind. A cyborg killer known as a Terminator (Arnold Schwarzenegger) has been sent all the way forward in 2029, where the human race is at war with robots run by an artificial intelligence called Skynet. The resistance of human freedom fighters is led by John Connor, and yes there's a reason for the similarity in names, John is Sarah's son. Or at least, he will be. Sarah has yet to give birth to John, or even involve herself in anything in preparing for an eventual war with androids.
But that doesn't matter to the Terminator, because it's ready to kill her before she can conceive John and therefore, cripple humanity's greatest hope for survival.
So resistance soldier Kyle Reese (Michael Biehn) follows the Terminator from the future to 1984 Los Angeles to keep Sarah alive. The two run for their lives to find a way to escape the Terminator before the future can be changed.
The start of the Terminator franchise is a beautifully crafted film where what might have been originally a B grade sci-fi plot develops into a movie that is so much deeper. Its script, direction and camera work all help pull you in so that what could have been a simple "let's outrun the robot" turns into "let's outrun the future."
The themes of man vs technology is more multi-layered than what you might think, but it only really remains evident in half of the franchise. What fans remember most of the film is Arnold's show-stopping demeanor that is worth renting the movie for just in itself. Kyle Reese is also a character worth praising though they do use almost every scene he's in solely for exposition.
Once people saw Terminator, they knew a sequel had to emerge from where it was left off. For all the importance at stake with the future, there just really isn't much drama or tension in the present. It's just two people running for their lives, which you could find better (and more of) in any horror flick. Jim Cameron has some great ideas that make this more than your ordinary cyberpunk movie, but they don't really mature until the sequel, Terminator 2: Judgement Day.